The more you delve into this new, mysterious world, the more you’ll know what you want to document. I shot a cornflake at some ridiculous level of magnification, and it looked like either a really gross piece of meat or the surface of Mars.”Īs with all photography, exploration is what fuels your ability to understand what you are looking for in your photos. There are really cool textures - they’ve got hair on them. “Berries are fascinating when you get in really close.
“A really great place to start is to work your way through the refrigerator,” Long suggests. In macro photography, the world you know is gone, and a new one emerges. “It’s an alien world when you get into the macro level,” says photographer and teacher Ben Long. But that need is magnified, literally, when you’re changing your perspective to work on the very small level of macro photography - shooting bugs and other small items that live in a world apart from most photos you’ll shoot. Are you shooting with a prime lens or from a distance with a telescopic lens? Or is this a live event, and do you need to come prepared to use a few lenses? “It’s an alien world when you get into the macro level.”Īsking yourself these questions and thinking through the logistics are skills you want to build as a budding photographer. Who’s your subject, and where are you shooting them? What’s the lighting like, and how might that affect the shot? Are you shooting from above or below? Is the subject on the move, or are you moving as you find the right angle on a stationary landscape? And then you can get into the gear-related questions. Photography is always a matter of perspective.
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